The use history of converted industrial monuments can be negotiated by way of scenographic methods and strategies borrowed from contemporary theater. Christine Schranz shows how former everyday values are transformed in this way into cultural values. Using the production of scenographic spaces, it is possible to identify interactive, narrative, and media dramaturgy, along with scenarios as interdisciplinary alternative plans to concepts of communication which are as yet primarily didactically-oriented.
Von der Dampf- zur Nebelmaschine
Szenografische Strategien zur Vergegenwärtigung von Industriegeschichte am Beispiel der Ruhrtriennale